Karl Marx was a broker
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KARL MARX WAS A BROKER – Alpha to omega director’s cut (LP incl. free CD)

€10.00

1.DD 2.Liveslow 3.Eight 4.Three 5.Nine 6.Teletubbie 7.Seven 8.Two 9.AralSee

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Product Description

ARTIST: Karl Marx was a broker  ALBUM: Alpha to omega director’s cut  YEAR: 2013 FORMAT: vynil 12”+ cd (included in LP package)

“hard math groovy instrumental trio”

Karl Marx was a broker: Marco Filippi -> Bass, synth, fx // Stefano Tocci -> Guitars, synth, fx // Gianluca Ingrassia -> Drums All songs written and performed by Karl Marx was a broker // Lorenzo Stecconi played additional guitar on “Aral See” Bass and Drum Recorded by Lorenzo Stecconi on Jan 2011 at Locomotore Studio, Rome // Guitar and SynthTracking by Stefano Tocci on Dec 2012 at Ampire Studio, Pistoia // Mixed and Mastered by Stefano Tocci on Dec 2012 at Ampire Studio, Pistoia

flag-eng“Alpha to Omega director’s cut” is a solid and immediate album: math rock, groovy, post-metal. It’s the rearranged version of the previous album (based only in bass and drum), it adds new instruments and sonorities given by a new band member’s entry, Stefano Tocci. The powerful rhythm section of Karl Marx was a broker is now reinforced and reached with guitar and synth’s riff and with sequencer tracks. The result is an album that starting from math rock leads to a contamination with various genres and attitudes: 70′s Prog, Metal, Doom, Math Rock, Psichedelia, Jazz, Funk. The album’s artwork (by Stefano Piacenti) in based on photos of human guinea pig used by Cesare Lombroso in his studies about the “criminal man”.

flag-ITAL0001“Alpha to Omega director’s cut” è un disco compatto ed immediato: math rock, groovy, con richiami al post-metal. Versione riarrangiata del precendete album (suonato con soli basso e batteria), lo arricchisce di nuovi strumenti e sonorità portate in dote dal recente ingresso di Stefano Tocci nella line up. Sulla potente ritmica dei Karl Marx was a broker, fatta di drumming quadrati e di loops di basso, si innestano riff di chitarra, di synth e traccie di sequencer. Il risultato è un disco che partendo dal math rock lo contamina generi ed attitudini diverse: 70′s Prog, Metal, Doom, Math Rock, Psichedelia, Jazz, Funk.

L’artwork (curato da Stefano Piacenti) si basa su immagini di delle cavie umane usate da Cesare Lombroso per i suoi studi sull’uomo delinquente.

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